Word: moralizations
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Pinter did not consider his fellow inhabitants of the world lucky, especially those squirming under tyranny's boot. That sense of moral outrage made his political statements more surgically excoriating. His Nobel speech included a bitter reprise of U.S. foreign policy, which he saw as criminal; and he puckishly offered his services as George W. Bush's speechwriter, with this as an audition text for the President: "My God is good. Bin Laden's God is bad. His is a bad God. Saddam's God was bad except he didn't have one. He was a barbarian...
...Marin, this becomes a moral crisis, and it must be said that neither here nor elsewhere in the movie does Bégaudeau or Cantet take it easy on the teacher. Like all the other caring and humane faculty members - maybe the film could use one or two cynics - he's obviously committed to his work and supple in his attempts to engage his students. But there is a certain self-righteousness in him, bordering on arrogance, that can be tough to take. He is not exactly Mr. Chips. On the other hand, the film makes it obvious that eccentric...
...unlikely to resemble the donor once the procedure is completed, it's impossible for the patient's sense of self not to be profoundly shaken. "Picture yourself as a person who has received a face transplant," says Dr. Eric Kodish, the team's lead bioethicist. "Now use your moral imagination...
...later, eat more cake. But like our sense of justice--think of the urgency with which toddlers insist, "That's not fair!"--the sense of tradition seems innate, as if we are born knowing that sacraments tie us together and make us whole. They are a part of a moral diet that we need to attend to, especially now when so many forces conspire to pull us farther apart. How many things this precious cost this little...
...opening credits: "Mickey Rourke, Marisa Tomei, Evan Rachel Wood." That list spelled out the plot: damaged veteran, middle-age girlfriend, young daughter. The Wrestler never rose above fight-movie bromides, never dispelled my gloom. The character stereotyping makes Sylvester Stallone's Rocky Balboa, by comparison, seem as swathed in moral ambiguity as Luchino Visconti's Rocco and His Brothers. The movie's serioso sentimentality is doubly strange since the script is by Robert Siegel, an ex-staffer of The Onion and co-writer of The Onion Movie. His old job was puncturing clichés; here he recycles them...