Word: moralized
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...Loring Conant Jr. '61, president of the Harvard Glee Club Foundation, a 27-year-old organization of Glee Club alumni that provides financial and moral support to Harvard choral music, agreed that the Glee Club has a nationally-acclaimed reputation...
...overriding question is what Washington will do about the price squeeze. Though he proclaimed the energy crisis the "moral equivalent of war," President Carter has behaved as if it were the acronym MEOW. Now his generals are quarreling publicly over strategy. Observes John Sawhill, who was the federal energy chief under Richard Nixon: "The U.S. could not have been less prepared for this shortage. What bothers me is to see members of Carter's own Cabinet go on TV and make veiled threats about military action in the Middle East even though we refuse to take the simple action...
...down and watch with their kids and have a dialogue. Happy Days and Laverne & Shirley really reinforce certain things within a family as they watch together. One of the most pleasing things is that not only is Mork & Mindy an enormous success, but that the social comment and the moral point made at the end of that show every week are just overwhelming. It is a message about our society. The last time I happened to watch it, it was about Mork's own emotions coming out and how he felt freed...
Indeed Lulu, the tragedy of a dancer whose almost mythic embodiment of the erotic principle wreaks universal destruction and death, seemed to be the one modern opera that had everything: electrifying theatricality, sex, moral seriousness, virtuoso scoring-everything, that is, except a third act. When he died in 1935, Berg had completed the third act particella, or short score; but he left the orchestration incomplete and the act was never published. Ever since, opera companies have had to present Lulu in two acts, with a makeshift third act tacked...
...Leibman's. Each is at once tough and vulnerable and, above all, engagingly high-spirited. And their roles are well written. Norma Rae's somewhat checkered sexual history, we come to understand, represents the only locally available outlet for a venturesome, restless but essentially very moral spirit. She has, we see, merely been waiting for something more rewarding to occupy her energies and her realistic, feisty if untutored mind. The character of Reuben, the organizer, represents a triumph of sorts. He is the first accurate representation onscreen of a type that has proved to be dramatically elusive...