Word: moralizers
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Dates: during 1960-1969
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Although this American success has no direct moral significance, it will be considered the result of an ideological supremacy and the breakthrough into a new civilization...
...stiffer price - in poor schools, en croaching throughways and war casualties - than do affluent whites across the city lines. Most of them still believe in God, country, the work ethic and a sexual standard that calls for at least a decent public restraint. In a day of diz zying moral change, they see themselves as the last defenders of moral authority. That is why they still admire the military and regard the police as heroes. The New York Times's Tom Wicker had a revelation at the Chicago convention: "These were our children in the streets...
...suaded that it is being called upon for more than its fair share of those sacrifices. The Kerner commission cited "white racism" as the principal cause of racial violence. Up to a point, the charge is just, and the white lower middle class carries its share of bigotry - a moral sin against blacks that will have to be paid for sooner or later as surely as the economic and social sins. But as the nation recognizes the le gitimate demands of the black revolution, it must also acknowledge the legitimate fears of the white reaction. Otherwise, feeling threatened, the marginal...
...think about bifocals and social security, Wayne began to learn his lines for The Sons of Katie Elder, a typically nuance-free Wayne western about four lusty, brawling brothers. But that was just for loot. Now that he was back on his feet, some things were griping him. The moral backslide, for one. He stumped for his friends Barry Goldwater and Ronald Reagan. "I said there was a tall, lanky kid that led 150 airplanes across Berlin. He was an actor, but that day, I said, he was a colonel. Colonel Jimmy Stewart. So I said, what is all this...
...Chekhov in his late plays fused the "as it is" with "as it should be"; he took a moral position. True, he did adopt a quasi-realistic diction with its illogicalities, its wandering directions, its repetitions; but he was skillful enough to infuse it with a marvelous rhythm and a sort of poetic evocativeness. (This technique strongly affected the plays of our own O'Neill, Odets, and Hellman.) The director and the players--and, indeed, the audience-- must be able to catch unspecified implications, to apprehend not so much what is said as what is consciously or subconsciously thought...