Word: moralizers
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Dates: during 1990-1999
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When gangsta rap came under fire as a threat to America's moral values, a few people stood up and defended hip-hop artists as troubadours of the ghetto, even if artists that truly deserved that tag were few and far between. Nasir Jones (aka Nas, aka Nasty Nas, aka Nas Escobar, aka Nastradamus) was one such rapper. Nastradamus, his newest album, cements his reputation as urban troubadour or, as "Come Get Me" announces, "America's foremost young poet." From "The Prediction" to "The Outcome"--prophetic and apocalyptic spoken-word joints from poet Jessica Care Moore--Nas' album...
...walkway that brings death row prisoners from their cells to the electric chair (usually called the last mile, but this particular one has green floor tiles). The unique bond that evolves between the sympathetic Edgecomb and the unexpectedly gentle Coffey forms the basis for the psychological, spiritual and moral exploration that permeates the film. The strong ensemble cast is further enhanced by the performances of David Morse (Contact), who plays Brutus Howell, Edgecomb's friend and another sympathetic guard; James Cromwell (Babe), who fills the role of Warden Hal Moores; and Gary Sinise (Forrest Gump), who briefly appears as John...
...shoot of the culture of protest and action that is a characteristic of the Harvard Square scene. What worked so well for the Vietnam War or civil rights is now applied to everyone's own peccadilloes and fixations. The female pedestrian obviously felt she had the moral high ground to handle me in any way she saw fit since I was a hazard to humanity and therefore deserved no part among society...
...kind of cheap inspiration imparted by this excerpt from the weakest section of The Cure at Troy is perfect for earnest and boring lightweights like Doubletake Magazinewhich takes the same quote as its mantrabut one would really expect more substance from Gordimer, whose fiction breathes with implacable moral force...
...nothing of a revealing and striking honesty in Living in Hope and History. In most of her speeches and essays, Gordimer settles for platitudes and truisms rather than incisive commentary. Of course, in two or three of these selections, we do get some flashes of the uncompromising clarity of moral vision that is apparent in her best fiction: but these glimpses of Gordimer at her best only serve in this context to accentuate the readers disappointment in the rest of the compilation. In 1959: What is Apartheid?, a transcript of a seminar given in Washington DC, we see the Gordimer...