Word: morandi
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...YOUR NAME OPENING FRENCH RESTAURANTS. WHAT PROMPTED YOU TO OPEN AN ITALIAN PLACE? I've spent a great deal of time in Italy over the past six or seven years. But my motivation was museums, not food. I went again and again to look at certain paintings. Not [Giorgio] Morandi's, oddly enough. Eating and restaurants were truly incidental at that point but became less so the more I was there. After a while, I just thought I'd return to New York and give it a go. I'd also known [my chef] Jody Williams for some time...
...What she was in fact circling was the work of Italian painter Giorgio Morandi (1890-1964). With monk-like devotion, Morandi spent a lifetime honing the still life, grouping bottles and cups into quiet meditations on solitude and society. Hanssen Pigott had seen his 1972 retrospective in Paris, admiring his "geometry tempered by poetry," and in the following decade an Italianate bottle emerged citadel-like from her kiln. She called the piece Thinking of Morandi. Over time her vessels grew into simpler shapes, the space between their groupings often as important as the objects themselves. In this way, a producer...
...American artists to whom he is closest are Edward Hopper and his fellow Californian, the late great Richard Diebenkorn; among Europeans, the names Giorgio Morandi, Chardin and Manet are among the first to pop up. But he is also one of those painters who, happily, feel entitled to pick and quote wherever they choose: he does not suffer from the snobbery of influence. "The sublime of Orange Crate art," critic Adam Gopnik writes in his catalog introduction, and one knows just what he means. Thiebaud is one of the few American artists whose ambitions have no Puritan or didactic dimension...
...this sense, Ablow’s work most resembles that of Giorgio Morandi in the 1940s and 1950s. Morandi, called the father of the contemporary still life, relentlessly painted the same enamel bottles and china bowls for decades, using a palette that never wandered more than a shade away from gray. Like Morandi, Ablow is concerned with exploiting a pictorial brand of truth, discovering something universal in the shape of insipid junk...
...intellectuals. The Fascist rhetoric of dynamism and machine efficiency meshed with (and was partly inspired by) that of futurism; while the Duce's promise of a renewed empire, a "third Rome" that would replay the Augustan past, had immediate appeal to nostalgists like De Chirico, Carra and even Giorgio Morandi...