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...monetary consistency from a more urgent one. "And the poor get poorer," its headline cried out, overburned on a more forceful epigram--the color photograph of a pale young girl, frail, lips parched, and with a gaze, projected out of dreary-blue irises, of a spirit struck with morbid hopelessness...

Author: By Siddhartha Mazumdar, | Title: Tales of Distress | 4/28/1982 | See Source »

...From the Morbid and Tragic Dept...

Author: NO WRITER ATTRIBUTED | Title: The Sports Cube Annual Baseball Trivia Quiz | 4/27/1982 | See Source »

While not disturbing or morbid, many of the poems are filled with the shadows of death or dying. Their energy comes not from the idea of mortality or the perverse vividness of death images, but from the appreciation of the life-images and from the oddness of the associations Wright makes. He links stone with vision and flux, water with destruction, bones with life in its most vivid state. And the collection is sprinkled with two-or-three-paragraph poems, in which Wright conducts interesting experiments with his artistic control...

Author: By Naomi L. Pierce, | Title: Savoring the Sunset | 4/20/1982 | See Source »

...Morbid, introspective and peevish, De Chirico belonged to the company of the great convalescents: Cavafy, Leopardi, Proust. The city was his sanatorium and, as a fabricator of images that spoke of frustration, tension and ritualized memory, he had no equal. No wonder the surrealists adored his early work and adopted its strategies wholesale. The "illusionist" painters among them, Dali, Ernst, Tanguy and Magritte, all came out of early De Chirico, a lineage astutely discussed by Laura Rosenstock in the catalogue; and as another contributor, Wieland Schmied, points out, German painters in the '20s like George Grosz used Chirican motifs...

Author: /time Magazine | Title: Art: The Enigmas of De Chirico | 4/12/1982 | See Source »

...that for the first time in years after a presidential meeting I was free of tension. It was impossible to talk to Nixon without wondering what other game he might be engaged in. It was exciting but draining, even slightly menacing. With Ford, there were no hidden designs, no morbid suspicions, no complexes. I reflected again on the wisdom of providence. Gerald Ford was clearly not Nixon's first choice as successor; John Connally was. I could think of no public figure better able to lead us in national renewal than this man so quintessentially American, of unquestioned integrity...

Author: /time Magazine | Title: WATERGATE: END OF THE ROAD | 3/8/1982 | See Source »

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