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Word: morbidities (lookup in dictionary) (lookup stats)
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...painting at 16, insists "an artist should remain anonymous," keeps within the realist tradition. He snaps back at those who attack his studies of young girls as Freudian and sinister with: "Maybe it is the people who look at them, and not my paintings, that are sinister, erotic and morbid...

Author: /time Magazine | Title: Art: ECOLE DE PARIS | 3/24/1958 | See Source »

...room in New York with his mistress and dreams of the day when death will free him to marry her. When the mistress becomes pregnant, James resolves to divorce Annette, but face to face with the supine, trusting invalid, he holds his tongue. The memorable story evokes a morbid doll's house in which death is pink with black edges, like some outrageous hybrid flower. Also outstanding: the thumbnail sketch of the prim, man-hating aunt, who all but says out loud that a marriage in which sex is prohibited by doctor's orders is a noncon-summation...

Author: /time Magazine | Title: Books: Made in Heaven? | 3/17/1958 | See Source »

When Teacher Ulferts read the theme, she thought it a bit on the morbid side, but did not take it too seriously at the time. An average student, young Ingledue had never caused any trouble. "He was," said Teacher Ulferts later, "a very quiet boy. Very quiet...

Author: /time Magazine | Title: Education: The Theme | 1/27/1958 | See Source »

...repulsive tale, but somehow repulsively alluring, though not in the same way the book was. Sagan's sensuous sentences suggested the presence of horror by wreathing softly about it; the camera pries into its morbid subject like a coroner. And the meanings that the novelist saw through her looking glass, darkly, Director Otto Preminger sees face to face in staring Mediterranean sunlight. He loses the French style but gains some common substance...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 20, 1958 | 1/20/1958 | See Source »

Although Genet reputedly wanted to add a cynical touch to an already morbid and sexually suggestive play by having the maids acted by two men, Wellesley refrains. Patricia Adel and Lucienne Schupf were given the roles, and they gnaw through them histrionically but frequently well. Their occasional over-acting is probably very much what Genet would have wanted; it helps exaggerate the nebulous line between reality and artificiality. Now and then, perhaps due to Nadine's Duwez's direction, sharp emotion and vigorous gestures and poses come too obviously from nowhere...

Author: By Larry Hartmann, | Title: The Maids | 1/10/1958 | See Source »

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