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QUEEN MARGUERITE is the most complex character in Exit the King. As the play proceeds she must change from death's morbid apologist to a magnanimous prophet. But Marlene Nelson as Marguerite maintains a uniformly dour and malignant tenor, never clearly establishing what she feels or wants. Ionesco is vague on these points, but she should clarify the uncertainty. Her work in the final scene in the play, when she tells the king and the audience what it is to die, is the biggest let-down of the evening...

Author: By Gilbert B. Kaplan, | Title: Mortal Souls | 3/17/1973 | See Source »

...edit his 300 hours of film down to 12, but he arranged his episodes out of chronological order, beginning with the last day's filming, New Year's Eve, 1971, and then recapitulating the previous seven months. From the first episode, Gilbert tried to exploit the audience's morbid curiosity about marital failure (bred of long years of afternoon suds drama) by making the Louds' separation the touchstone of his story. He counterpoints a painful phone conversation between Bill and Pat four months after their separation by flashing back to a breakfast at the start of the filming to show...

Author: By Steven Reed, | Title: American Dream Machine | 2/8/1973 | See Source »

...INEVITABLE DOOM of American musical life has been discussed with morbid relish by almost everyone concerned for years now. Composers, still suffering from the complications of the turn-of-the century stylistic crisis, lament the unwillingness of audience and orchestras to accept unfamiliar music. Conductors skillfully transfer the blame from orchestras to players, whose reticence and unionization undermine effective rehearsal of the unknown; but they, too, indict reactionary audiences and patrons. Professional players are often delightfully unaffected in their views-remarks like "I'd rather be at home driving splints under my fingernails" are a typical response to the rehearsal...

Author: By Stephen E. Hefling, | Title: Michael Tilson Thomas | 1/17/1973 | See Source »

...coffin for size and to make detailed plans for their own funerals. Such activities may sound like something out of a Vincent Price movie, but they are part of a growing student interest in the subject of death. "To them," says Minneapolis English Teacher Robert Wolk, "death is not morbid but exciting, dynamic." As a result, young people have been taking newly organized courses in "thanatology" in some 70 colleges and schools across the country...

Author: /time Magazine | Title: Education: Thanatology 1 | 1/8/1973 | See Source »

...Your story "The Pleasures of Dying" [Dec. 4] was unbelievably absurd. A morbid comment on human curiosity. What of possible importance can all that scientific research produce? Once you've made the jump, you're gone. Granted, it certainly is a relief to know that Stage 2 is an upper: but by that time, who cares...

Author: /time Magazine | Title: Letters, Jan. 1, 1973 | 1/1/1973 | See Source »

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