Word: moreau
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Dates: during 1960-1969
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...Romeo and Juliet. Candice Bergen poses as though she belongs on the prow of a ship-and says that she "can't think of anything grimmer than being an ageing actress; god, it's worse than being an ageing homosexual." Rudolf Nureyev romps with Cecil Beaton; Jeanne Moreau presses her fingers nervously to her mouth; Malcolm Muggeridge scowls in fearsome closeup. And Fashion Designer Douglas Hayward remarks: "Everyone is so insecure . . . what can a Rolling Stone do at forty...
Imperialism. The Rev. Jules Moreau, professor of church history at Seabury-Western (Episcopal) Seminary in Evanston, Ill., suggests that the moral issues of imperialism and religious elitism, which were raised by Europeans when they began colonizing the rest of the world, also confront modern man as he prepares to colonize space. A modest but perplexing dilemma would result from the discovery of intelligent beings elsewhere in the universe. The question then would be: Should Christians attempt to convert their celestial neighbors? Extraterrestrial evangelism might not be necessary, suggests Dr. Per Massing of the Boston University School of Theology...
That's it. All readers are thanked for their indulgence and urged to keep those cards and flowers coming.Jeanne Moreau in THE BRIDE WORE BLACK...
...Black is Truffaut's most calculated film, yet for all its style and detail, I'm not sure it amounts to very much, and prefer the romantic perception of Soft Skin, Truffaut's best film to date. But you have to give him points: the scenes between Julie (Jeanne Moreau) and the artist (Charles Denner) blend exposition and characterization as cinematically as anything this side of Chabrol. Also Truffaut's obsession with Hitchcock has finally left the realm of shot-copying, resulting in some interesting notions about audience identification, point-of-view cutting, and flashback structure...
Great Catherine--Peter O'Toole is wonderful in this movie that goes wildly and badly off track about five minutes after it begins. Jeanne Moreau and Jack Hawkins do what they can to help things along, but Zero Mostel turns in a performance that is too undisciplined, qrotesque and awful to be believed. At the CHERI 3, Dalton St. in Prudential Center...