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...Frantic, Moreau plotted with her lover to murder a burdensome husband; in The Lovers, Moreau deserted her husband with a spontaneity the film's tone exalted; and in Vie Privec, BB played the stock role recently aired by Julie Christie in Darling, of the poor little movie star who can't have quite everything she covets...

Author: By Jeremy W. Heist, | Title: Viva Maria! | 3/23/1966 | See Source »

...collaboration of Bardot and Moreau has evidently cost Malle a good deal of directorial control, and every inch of control sacrificed in Viva Maria! has blossomed into yards of artistic chaos...

Author: By Jeremy W. Heist, | Title: Viva Maria! | 3/23/1966 | See Source »

Most of the film concerns rebellion led by the Marisa against one Mexican feudal-type baron named Rodriguez, whom the troupe discovers beating a serf. As the opening credits shows us, Brigitte grew up tossing bombs with her anarchist father; Moreau goes political for the first time when she falls in love with the Christ-figure revolutionary Flores (George Hamilton). In the closing moments of the film we get a fast sequence of castles exploding all over Mexico as the revolution prevails...

Author: By Jeremy W. Heist, | Title: Viva Maria! | 3/23/1966 | See Source »

Matisse meant his art to soothe, not shock. Said he: "I dream of an art that is pure, calm and free of disturbing subject matter-something like a comfortable armchair in which one can recover from physical fatigue." One of his early teachers, Gustave Moreau, had predicted: "Matisse will simplify painting." He did, without sacrificing delicacy. Said Matisse: "I want to reach that state of condensation of sensations which constitute a picture." He simply distilled sunshine...

Author: /time Magazine | Title: Painting: Distiller of Sunshine | 2/25/1966 | See Source »

...theatrical garden. Peter Brook directed Flower Drum Song, The Visit, Irma La Douce and King Lear (with Paul Scofield) in New York, and he has designed productions for Co vent Garden and the Metropolitan Opera. For the movies, he directed Olivier in Beggar's Opera, Belmondo and Moreau in Moderate Cantabile, and Lord of the Flies. The controversial Marat/Sade is also his. Robert Bolt, who wrote the screenplays for Lawrence of Arabia and Doctor Zhivago, and who wrote the play A Man for All Seasons, is now cranking up the screenplay for Seasons, which will star Scofield-as soon...

Author: /time Magazine | Title: The Stage: The New Elizabethans | 2/4/1966 | See Source »

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