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Viva Maria! gives Brigitte Bardot one of the best roles of her career and Jeanne Moreau one of her worst. Fortunately, Moreau treats the handicap lightly, as if she were taking up tent-show theatricals just for the hell of it. Together, the two co-stars perform miracles of wit, charm and camera-wise witchery in this jaunty but slipshod farce written and directed by France's Louis Malle...

Author: /time Magazine | Title: Cinema: Carnival in Brio | 12/31/1965 | See Source »

...Cannes Claude picks up Jeanne Moreau in the classic style: they both win on number 17. They have streaks of luck, lose it all, then make a killing, and buy their way into the Jet Set. He gets a tux, she a couple of evening gowns, and they check into Monte Carlo. The luxury, like the poverty, seems hard: there are the same straight lines, the same stark blacks and whites, set off by the flickers of brocade and jewelry. But the hardness is unreal because it has no effect on the people within it. Jeanne lives only...

Author: By Rand K. Rosenblatt, | Title: Bay of the Angels | 12/15/1965 | See Source »

...Jeanne Moreau: Yep. A bourgeois institution, and dull...

Author: By Faye Levine, | Title: DeBeauvoir: A Review and a Dream | 6/17/1965 | See Source »

...Jeanne Moreau. And except for some wonderfully grey and wintry views of Venice, this long, turgid melodrama has little else to recommend it. Made in Italy in 1962 by Director Joseph Losey (The Servant), Eva describes how a malicious, luxury-class harlot (Moreau) coolly destroys a famous Welsh author (Stanley Baker) who never amounted to much in the first place. The man is a loser whose reputation rests on a novel he stole from his dead brother. By the time the woman finishes with him, his exquisite wife (Virna Lisi) has committed suicide and the writer is reduced to loud...

Author: /time Magazine | Title: Cinema: All About Moreau | 6/11/1965 | See Source »

Director Losey tries to cover cliches with camera trickery. He works from arresting angles, all but caressing the decor of a world made to order for the filthy rich. Fond of polished surfaces, he dotes on reflections in mirrors, sunglasses, brandy snifters. But the validity of Eva lies in Moreau's accomplished bitchery. As a sleek alley cat commuting at her whim between Venice and Rome, she slinks from warm beds to warm baths, purring over her furs and silks and blues records with such hypnotic self-absorption that even a silly role begins to seem not just interesting...

Author: /time Magazine | Title: Cinema: All About Moreau | 6/11/1965 | See Source »

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