Word: moreau
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Life Begins at 50. After four long years, Rouault quit his job to study with famed Academician Gustave Moreau. Moreau taught young Rouault all he knew about painting and did his best to break Rouault's habit of moping about in cemeteries after school. When Moreau died, his house was turned into a memorial museum and Rouault, as the favorite pupil, was appointed curator. The sinecure kept Rouault going; his art sold hardly at all until he was past...
...looking, baldish Georges Rouault, who was born in a bomb shelter during the Paris Commune, is now 69, is presumably living and working in occupied France, perhaps in Paris, where he holds a sinecure as director of a museum full of fairy-tale paintings by his teacher, Academician Gustave Moreau. Today a good Rouault costs about $3,500. For the Institute's Rouault show, Director Plaut was unable to import any paintings from Europe, or even to borrow one from the late exhibition at the New York World's Fair. He collected his show from U. S. museums...
Chicago's first known white settler, a French trader named Pierre Moreau, was a bootlegger as far back as 1675. Before Indians and bears had been driven from the log village in the 1830s, gamblers, harlots, pimps had arrived. Thieves preyed even on the dead: private detectives guarded Chicago's early graveyards. Between Bull Run and the great fire of 1871 roared the first of Chicago's incredible booms, in which everything but the police force expanded. Result was Chicago's reputation in the Civil War decade as "the wickedest city...
...which is a considerable distinction, belongs by general consent to Georges Rouault. Born shortly after a shell knocked his mother out of bed during the Paris insurrection of 1871, Rouault was first apprenticed to a maker of stained glass, later became the favorite pupil of the academic painter, Gustave Moreau. Since Moreau's death in 1897, pale, clerkish Georges Rouault has lived a mystic, melancholy life. Every day he goes to the little Moreau museum, of which he is curator, near the Gare St. Lazare, often lunches violently with his old friend, Ambroise Vollard, returns to a mysterious home...
...exhibited 150 lithographs, etchings and wood engravings produced by Rouault in the past 20 years. Many had not been shown anywhere before. Most were done at the instance of Vollard for that publisher's fiercely faithful and interminably delayed de luxe editions. Several magnificent portraits were included: of Moreau, Verlaine, Baudelaire. In the color etchings art followers found new, bright colors, strange to Rouault, as if medieval gaiety were entering his medieval gloom. But the most impressive etchings were a series, Miserere et Guerre, in which Rouault's myth-figures expressed the spiritual degradation and agony...