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“In cheerleading the technique is tight with the motions, which is where we overlap the most,” says Mary Caroline Szpak ’11, Prince’s CDT co-captain. “We both generate spirit, but it’s on...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

Once the foundation is laid, the teams undergo a process akin to a visual artist picking and priming his tools as they prepare for competition. CDT first chooses a choreographer based on an intense selection process. “It involves watching more YouTube than you can imagine,?...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

HBDT’s training comes in mastering the “syllabus,” which supplies a framework for dancers to move up the ranks as they satisfy bronze, silver, and gold level “figures,” or skill levels. Three professional coaches teach dancers...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

In the same way, Szpak compares CDT to a track team: “Everybody is dancing on their own, but it only succeeds if they all move together—so in that way, it’s more cohesive than a sport. If someone in front of you...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

While show dancing seemingly provides more of an opportunity for self-expression, competing helps dancers build the skills necessary for collaborative creative communication. “When you dance by yourself, if your hip’s in a different direction than it should be, it doesn’t...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

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