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From the monstrous papier maché mole that is suspended over the stage for the duration of the performance to a flaming-red lobster, remote controlled, the production’s staging provides an extra layer of madness to complement the actors’ efforts. While the props fit this...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

The actors themselves, after a somewhat hesitant start which reflects the utter self-confidence required to say lines like “I heard my own name too late… I never got accustomed to it,” by-and-large settle into their roles. Ilker Oztop GSAS...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

The façade does occasionally crack. Especially during the play’s less frantic segments, the actors seem to lose the thread of carefully-constructed madness, and become far less convincing as a result. The slightest note of hesitation in such a surrealistic production is enough to shatter...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

“I am turned woman of business,” remarked Louisa Catherine Adams in January 1815, having received a letter from her husband, John Quincy Adams, inviting her to make the journey from Saint Petersburg to Paris. Her husband had not specified a time limit, but Mrs...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: O’Brien’s ‘Mrs. Adams’ Envisions A Nuanced Past | 3/30/2010 | See Source »

Although the play is originally set in the terrifying world of the French Revolution, Leaf wishes to bring it out of its 19th-century French mold and create a more universally applicable rendition. “The play is not set in the past,” Elizabeth G. Shields...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Danton's Death | 3/30/2010 | See Source »

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