Word: morganization
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Dates: during 1950-1959
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More and more alarmed by such stories, which were constantly growing bigger and more clever, college student employment heads determined to do something about the situation. In the middles of December, 1951, at a meeting held on the University of Pennsylvania campus in Philadelphia, Minot C. Morgan, then head of the Student Employment Agency of Princeton, was delegated to pressure Congress for revision of this part of the tax law. With heavy Harvard backing, Morgan called up an old friend whom he had met when he was mayor of Princeton--Congressman Charles L. Howell, of New Jersey...
...Morgan explained to Howell the committee's objections to the then extant $600 limit tax law, describing how it stifled initiative, hindered the student who is perhaps most to be commended from helping himself, and handicapped college scholarship and loan boards, which could use their funds to provide more people with educations if students could cut down their scholarship needs by employment...
...their theme of the uniqueness of the low- income students's position in the dependency scale, college lobbyists--aided by many student organizations, continued their efforts. Finally, resistance was either convinced or worn down and the compromise, but better bill was passed --due largely to the original efforts of Morgan and John U. Monro '34 of the Financial Aid Center here...
...paid too much attention then when state legislator James B. Morgan of Birmingham presented a bill which he had written. It was called Act 888, the Schoolbook Labelling Law. The law was simple enough; it provided that authors and men mentioned in public schoolbooks who were members of communist or communist front groups should be identified and catalogued in the front of each book. Thus no child would be deceived as to the affiliations of the person mentioned in the school books...
Peter Pan (J.M. Barrie; music & lyrics by Mark Charlop, Carolyn Leigh, Nancy Hamilton, Morgan Lewis, Betty Comden and Adolph Green), which played this summer in San Francisco with Mary Martin, opens on Broadway Oct. 20, with Dancer-Choreographer Jerome (On the Town) Robbins directing...