Word: morgans
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Dates: during 1970-1979
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...entitled Defending My Enemy, Neier had intended to resign last fall as executive director. After 15 years in the A.C.L.U., he admits, "I'm combat weary." But he postponed his exit a year to see the A.C.L.U. through the Skokie crisis. Internal wrangling, which forced Washington Director Charles Morgan Jr. and Legal Director Melvin Wulf out of the organization, has added to the strain on Neier. So has the revelation that union officials passed along information about its membership to the Federal Bureau of Investigation during the 1950s...
...long time the picture of J.P. Morgan with the midget on his knee was the Washington view of capitalism-a bloated buffoon. John Kennedy once described a small-town banker as a man with shoes that were too tight, the pain from below traveling up to his face. Only a couple of years ago, Senator Henry Jackson lined up seven big oil executives as though they were schoolboys, and denounced them for their big profits in the oil crunch...
...elms, Andover brims with history. Paul Revere engraved its seal; John Hancock signed its charter; George Washington addressed the school in 1789 (on horseback). English classes meet in a cupolaed schoolhouse designed by Charles Bulfinch in 1819; red brick Georgian-style buildings, many built through the beneficence of a Morgan partner in the 1920s, grace the campus...
...tour leader for the pleasures of Cat and Mouse is a dapper veteran detective, Lechat (Serge Reggiani), who goes on a wild chase to discover whether a philandering millionaire (Jean-Pierre Aumont) was indeed murdered by his jealous wife (Michele Morgan). The plot is complex and at times ingenious, but it is mainly an excuse for Lelouch to indulge his romantic reveries. Almost every character in the film falls in love at least once, usually with idyllic effect. The liaisons are delightfully improbable. Antagonists Reggiani and Morgan both carry on with gorgeous lovers half their age before making a beeline...
...stars are as engaging as the director demands. Morgan, here returning to the screen after an eight-year absence, makes the chic middle-aged murder suspect an aloof yet touching figure: she always retains her bourgeois hauteur, but we see the pain of her predict ament in the slight flickering of her large blue eyes. Reggiani is a delight. With his hound-dog face and wry manner, he is every bit as amusingly world-weary as Happy New Year's hero, Lino Ven tura. No wonder all the other characters openly adore...