Word: morgenstimmung
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Dates: during 1900-1900
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...Peer Gynt Suite" played by the orchestra was enthusiastically received. In "Morgenstimmung," where Grieg gives the scene of Peer's death, the joyousness of the daybreak is strangely contrasted with the sad minor strains of which death is the theme. In "Aase's Tod" is expressed the sinking to rest of a soul wearied with the sorrows of life. "Anitras Tanz" is an infectious little dance into which Grieg has introduced an Oriental element. The final movement, 'In der Halle des Berg Konig's," introduces the troll music, an exuberant staccato, illustrative of the grotesque, fantastic, splendor of the unearthly...
...this closing scene, Grieg has written the accompaniment, "Morgenstimmung," "Anitras Tanz," another of the "Peer Gynt Suite" represents the dance of a bewitching Arabian girl whom Peer sees in the course of his wanderings, "Aases Tod" is the scene at the death-bed of Peer's mother...
...Sodermann: Wedding March. II. Grieg: (a) Efteraarsstormen (The Autumn Gale); (b) Eit Syn (A Vision); (c) Solveig's Cradle-Song (From Ibsen's "Peer Gynt"). Sinding: (a) Lok (Luring-Calls); (b) Vi vil os et Land (We wish for a Land). III. Grieg: Peer Gynt Suite: (a) Morgenstimmung; (b) Aases Tod; (c) Anitraz Tanz; (d) In der Halle des Berg Konigs. IV. Ole Bull: Setergjentens Sondag (The Chalet-Girl's Sunday). Kjerulf: Paa Fjellet (On the Mountains). Agathe Grondahl: Til mit Hjertes Dronning (To the Queen of my Heart). Norwegian Folk-Songs: (a) Aa desse gamle Kjerringer (Oh, these...
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