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More subtly, Identities makes the Asian-American experience an undercurrent to multiple segments of the show. The clothes are from a broad spectrum of sources: student designers, local thrift stores, Harvard Square and Boston boutiques, and national brands that are not necessarily connected to the minority community.

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

By now, Eleganza can lean more on its establishment; it regularly attracts over 1,500 students each year, books stars like Jadakiss and Fabolous, and garners national attention—as the April 2010 issue of Teen Vogue demonstrates. Olamide E. Oladipo, an associate producer for Eleganza who oversees finances...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

With dim prospects for UC funding, these fashion shows turn to outside sources for financial support—sources that find charitable impulses a pull for funding rather than a drawback. “I think when you have an organization that caters to minority or underrepresented students, thereâ?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

The charitable impulse itself, however, is derived from a more optimistic sentiment among the boards of these fashion shows; altruism seems to override ineligibility for UC grants. “It’s more than just having a show and ending; we want to make a political statement and...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

For Parent, who is still very much involved with Project East from his fashion post in Shanghai, the charity status is important for more personal reasons. “It was also a good way for me to give back to [my community] and to help promote my own ethnic...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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