Word: moris
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...corporation. By a ruthless ruse-he has married the boss's daughter-the young man has placed himself inside the enemy's defenses. Can he get revenge before the corporation strikes? The suspense is terrific, but Kurosawa generates more than suspense. In his big boss (Masayuki Mori) he develops a masterly portrait of the power complex, and in scene after scene he examines with incinerating irony a way of life in which profits come first and people last. Occasionally the actors, trained to the grand grimace in the Japanese theatrical tradition, seem all set to twirl their mustachios...
...sequence is masterful. With a few stark strokes Antonioni puts a diffuse and apparently senseless picture in a frame, in a black border of mortality that instantly reveals its perspective and its significance as a spiritual admonition, a memento mori. What's more, the frame reveals the picture as an extraordinary effort of style, as a definitive treatment of the themes Antonioni developed in L'Avventura and La Notte. As in those films, he employs the method of tedium to explain the nature of tedium, but he employs it so skillfully now that boredom is seldom boring. Vitti...
...Eyebrows rose all across Japan six years ago when Yonejiro Mori resigned as managing director of giant Mitsubishi Shipbuilding to take command of Sasebo Heavy Industries Co., a smaller shipyard that seemed to be limping toward bankruptcy. But to Mori, who at 63 still retains the spirit he developed as a college oarsman, Sasebo represented an irresistible "sporting challenge." Firing up Sasebo's workers with daily pep talks, he diversified the company into diesel engines, bridges and steel tanks. He capitalized aggressively on the demand for supertankers created by the 1956 Suez crisis. Last July, Sasebo launched the world...
Waddling Exile. In between Kane and Kafka, Welles took two wives (Rita Hayworth and Incumbent Paula Mori), gained a couple of hundred pounds, and directed seven pictures. His wildly impressionistic Othello, and Macbeth in Scottish burr, were called moody masterpieces in Europe, but failed miserably in the U.S. Aside from brief bits of acting (most memorably in The Third Man and Compulsion), Welles did little more than perpetuate his public caricature. Smoking sequoia-sized cigars, he waddled like an exiled giant through Europe, looking gloomily for a future and nostalgically at the past...
...PRIME OF Miss JEAN BRODIE, by Muriel Spark (187 pp.; Llppincott; $3.95). Knowledgeable readers of Muriel Spark's novels admire such crystalline structures of malice as Memento Mori and The Ballad oj Peckham Rye partly for the economy with which they are built. Avoiding bravura writing as she would a vulgar display of pound notes, this Scotswoman sits composedly among her characters, goading them by silence and an infrequent equivocal smile to disclose their sins. Rarely does the exposure require more than 200 pages, and at the end of a Muriel Spark novel, most readers find themselves wondering...