Word: morisot
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...longer properties of nakedness. Other artists painted nymphs as whores; it took Manet, in the Olympia, to paint a whore as her own person, staring back at the voyeurs, restricting the offer to a transaction. Here, as in paintings of women who were not models (like Berthe Morisot, whose shadowed and inward-turning beau ty Manet could portray as the index of thought), one sees him inventing the image of the "modern" woman. It was there to be seen; but that is true of any prophecy...
...show includes more than 150 works by 85 painters. Some of them, like American Impressionist Mary Cassatt and her French counterpart Berthe Morisot, are already embedded in the history of modern art. Others, just as famous in their day, now seem more like footnotes than culture heroines: Rosa...
...Poor Mme. Morisot, the public hardly knows her!" wrote Impressionist Camille Pissarro on the day in 1895 that he heard of the death of his good friend Berthe Morisot. Compared with the following of her great contemporaries, Berthe Morisot's public has always been modest but no history of the impressionist movement could now overlook her. The reason was clear last week at Manhattan's Wildenstem gallery, where 69 of her works hung in the largest Morisot exhibition ever held...
...born world of French impressionism. "Do you realize what this means?" one of her early painting teachers asked her mother when he realized how big a talent Berthe had. "In the upper-class milieu to which you belong, this will be revolutionary. I might almost say, catastrophic." But Mamma Morisot was not afraid f having her daughter turn artist, and her husband, a well-to-do civil servant, was broad-minded enough about the girl to introduce her to Painter Camille Corot. The old artist happily accepted her as a pupil, took her out of the musty Louvre where...
Unlike the men around her, Berthe Morisot was not much interested in experiment. Though her paintings are bathed in sunlight, they do not attempt to dissect each ray, or aim at capturing the fleeting moment as Monet's do. Berthe painted a world of beaches, picnics, race tracks and canals, of elegant ladies starting off to the theater and of young girls preening before the mirror. She feared that the impressionist obsession with light might be carried too far at the expense of form and harmony. The men who ate at her table sometimes chided her for her lack...