Word: morisot
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Dates: during 1980-1989
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...longer properties of nakedness. Other artists painted nymphs as whores; it took Manet, in the Olympia, to paint a whore as her own person, staring back at the voyeurs, restricting the offer to a transaction. Here, as in paintings of women who were not models (like Berthe Morisot, whose shadowed and inward-turning beau ty Manet could portray as the index of thought), one sees him inventing the image of the "modern" woman. It was there to be seen; but that is true of any prophecy...