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...Steel Hour had a lighter and happier essay on the same theme of a family consuming its own, with a TV adaptation of the London and Broadway hit Edward, My Son. Britain's Robert Morley was superb as the oleaginous trickster who believes that nothing is too good for his son-or for himself, either-and is ready to burn down a building or buy up a school to prove...

Author: /time Magazine | Title: Radio: The Week in Review | 12/19/1955 | See Source »

...Steel Hour (Wed. 10 p.m., CBS). Edward, My Son, with Robert Morley, Ann Todd...

Author: /time Magazine | Title: TELEVISION: Program Preview, Dec. 12, 1955 | 12/12/1955 | See Source »

...thoughtful, violent. Louis XI of France is its symbol. If you're to match him, my Scottish cavalier, you may have to restrain your more glorious impulses." Since glory is box office, Taylor is in trouble. Things come to a head one night when "The Spider King" (Robert Morley), as history knows him, sits spinning his political web. "We are about to embark on a foul venture," he murmurs to a cackling familiar. "Foul and necessary, fit only for gypsies-and kings." The venture involves the betrayal of a lady fair (Kay Kendall) to a villain dark (Duncan Lament...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 31, 1955 | 10/31/1955 | See Source »

...brisk and stylish scene, surrounded by intelligent people who are obviously enjoying themselves. Kay Kendall, for instance, makes a damozel as dainty as court broidery, though she has precious little to do (as Grace Kelly complained when she refused the part) but "clutch her jewel box and flee." Robert Morley very nearly carries off the whole show. As he heaves before the camera, swishing his eyes about as lesser players might wave their arms, and wagging his paunch as though it were a prosperous province, he looks at one instant every ounce a king, and at the next as lean...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 31, 1955 | 10/31/1955 | See Source »

...Morley and Kendall, being English, seem to take the grammar for granted; but Actor Taylor, a man who has earned an impressive hauberk stoop without ever changing his Pomona accent, keeps glancing uneasily over his shoulder as he mumbles all the great big three-syllable words...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 31, 1955 | 10/31/1955 | See Source »

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