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These presentations should not be regarded as theatrical curiosities, like Christopher Morley's "After Dark," but as art of the highest order. It was the classical drama, staged by English school-boys, which inspired the great development of the English theatre during the Renaissance. The influence of Greek playwrights on the drama of the present day is forcibly demonstrated by the work of Mr. Eugene O'Neill. The policy of the Classical Club in staging the ancient plays may have this same effect, and at the same time should stimulate interest in the classics, which, though they once formed...

Author: NO WRITER ATTRIBUTED | Title: PHILOCTETES | 5/11/1932 | See Source »

...program for this evening's concert is as follows: Harvard Hymn, Paine; Adoramus Te, Palestrina; Fire, Fire, My Heart, Morley; Gently, Johnny, My Jingalo, Spanish Ladies, The Foggy Dew, English Folk Songs; Choruses from the "Mikado", Sullivan...

Author: NO WRITER ATTRIBUTED | Title: GLEE CLUB GIVES FIRST YARD CONCERT TONIGHT | 5/10/1932 | See Source »

...program will consist of the following pieces: "St. Paul's Suite," by Gustav Holst: "On the Plains, Fairy Trains," by Thomas Weelkes; "Five Love Songs," by Brahms; "Adoramus Te," by Palestrina; "Fire, Fire, My Heart," by Thomas Morley; and "I Will not Leave You Comfortless," by William Byrd...

Author: NO WRITER ATTRIBUTED | Title: HOLST TO BE HONORED IN GLEE CLUB CONCERT | 4/27/1932 | See Source »

...Alphonse ("Scarface," "Snorkey") Capone. Its vicious hero, one Tony (Paul Muni), ingeniously wins the affection of a public enemy named Lovo (Osgood Perkins) by murdering his own superior. He then embarks upon a career of informal executions, becoming invaluable to Lovo and attractive to Lovo's Poppy (Karen Morley). Presently dissension occurs between Tony and Lovo. Tony wipes out Lovo and leaves for Florida with Poppy...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 18, 1932 | 4/18/1932 | See Source »

Naturally the Barrymores dominate the picture, but they are ably assisted by Tully Marshall and Karen Morley, for whom, nevertheless, it is hard to share the Duke's enthusiasm. But leave the brothers alone together, face to face, let them return snarl for snarl, wit for wit, chuckle for chuckle, and any one may see that the two Barrymores are worthy of each other...

Author: By H.g.p. Jr., | Title: The Crimson Playgoer | 3/21/1932 | See Source »

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