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...Price, who is at his most enjoyably fulsome, the large cast includes a bounty of fine British players: Diana Rigg, Ian Hendry, Milo O'Shea, Eric Sykes and, as those viperous but ill-fated critics, Harry Andrews, Coral Browne, Robert Coote, Jack Hawkins, Michael Hordern, Arthur Lowe, Robert Morley and Dennis Price. The movie is bright and, a good deal of the time, quite funny. It is farce as broad as Shaftesbury Avenue, but its high spirits are not entirely consistent with the great gobs of gore that Director Douglas Hickox leaves smeared about. Violence, under the circumstances, ought...

Author: /time Magazine | Title: Cinema: Quick Cuts | 5/21/1973 | See Source »

DUNSTER HOUSE LIBRARY. Cambridge Musica Antiqua. Works by Gastoldi, Byrd, and Morley. March...

Author: NO WRITER ATTRIBUTED | Title: Classics | 3/8/1973 | See Source »

ADAMS HOUSE JUNIOR COMMON ROOM. Music for lute, voice and viols by Dowland, Danyel and Morley, performed by Sally and Hopkinson Smith...

Author: NO WRITER ATTRIBUTED | Title: Classics | 12/7/1972 | See Source »

Materially, the rescue missions' output is prodigious. They served 14 million meals in North America last year, according to one estimate?usually without any public financial aid and often at a low cost that public institutions would envy. More to the point, says Connecticut Psychiatrist David Morley, a consultant to the McAuley mission, "the mission's love goes to a segment of humanity that we like to ignore." Founder McAuley would have been one of the ignored ones, says Morley. "In the medical understanding of today, he would have been written off as an incurable psychopath. This kind of person...

Author: /time Magazine | Title: To the Rescue | 11/20/1972 | See Source »

...especially valuable in the brief Thomas Tallis Heare the Voyce and Prayer. The singing of both choirs was strong and round. The composition itself has a hint of the genius found in the famous 40-part motet Spem in alium. By the last work of the evening. Thomas Morley's Service for the Burial of the Dead, the singers were well warmed up. Their diction was excellent and the large intervals between soprano and bass--which put a premium on faithful pitch--were negotiated readily. The beautiful ending with an inverted pedal point was almost ruined by some muddy lower...

Author: By Kenneth Hoffman, | Title: Tudor Church Music | 3/22/1972 | See Source »

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