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Word: mornin (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...dances bear the lean, angular, unmistakable signature of Agnes De Mille. Some of them are rodeo-hoydenish and others are balletically romantic. The songs, of course, are a Comstock lode of golden oldies from People Will Say We're in Love to Oh, What a Beautiful Mornin '. You won't just be humming these tunes as you leave the theater. You will hum them for the rest of your life...

Author: /time Magazine | Title: Theater: A-yip-i-o-ee-ay! | 12/24/1979 | See Source »

Kaye's enthusiastic narration packs in as many anecdotes as possible. She describes Rodgers' legendary composing speed (ten minutes for Oh, What a Beautiful Mornin') and nudges Merman into an unflattering reminiscence of Porter's voice ("He sang like a hinge"). With the aid of Choreographer Agnes de Mille, Kaye re-creates the excitement kindled by Oklahoma!, the first musical to integrate all its songs into a story. A few of Kaye's points are debatable. She sweepingly dismisses rock musicals, even though rock is not necessarily incompatible with musical theater. (Indeed, the Beatles sang...

Author: /time Magazine | Title: Television: Celebrating Broadway's Best | 10/1/1979 | See Source »

...Spanish Dance," the only passage of the dance set to music--Bob Dylan's "Early Mornin' Rain"--the dancers perform a predictable yet hilarious task. They begin lined up along the downstage edge of the stage. The dancer furthest to the right swivels her hips and raises her arms overhead, imitating a Spanish dancer. She proudly shuffles her way forward, bumping the next dancer into motion. The two continue to pick up the third and so on. As the music stops, the five pose as a compressed wedge of Spanish soul. What is interesting is seeing the different persona each...

Author: By Susan A. Manning, | Title: The Logic of Movement | 2/14/1978 | See Source »

...from Pomona College and went on to Oxford as a Rhodes scholar where, as Kris Carson, he dabbled in pop music. After quitting both academe and the Army, he began drifting. At 29 he found himself in Nashville, and he began writing songs like The Silver-Tongued Devil, Sunday Mornin' Comin' Down and Me and Bobby McGee...

Author: /time Magazine | Title: Music: Grooving with Kris and Rita | 8/15/1977 | See Source »

...songs moved easily over a variety of country rhythms. The words could be both bittersweet and low on the subjects of loneliness and love: "And there's nothin' short of dyin'/ Half as lonesome as a sound/ On the sleeping city sidewalk;/ Sunday mornin' comin' down." And blunt about sex: "There ain't nothing sweeter than naked emotions/ So you show me yours, hon, and I'll show you mine...

Author: /time Magazine | Title: Music: Grooving with Kris and Rita | 8/15/1977 | See Source »

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