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...MULHOLLAND DR. David Lynch made the first 90 min. of this sexy thriller as a TV movie. When it didn't sell, Lynch added a coda that sends his characters into the weirdest Wonderland, as if Twin Peaks were to morph into Blue Velvet. It's not all intelligible, but it's always fabulous. Like the Coen brothers' excellent The Man Who Wasn't There, Lynch's laugh-scream of a movie dwells lusciously in the Kingdom of Noir. It ransacks old-movie style to create an avant-movie nightmare...

Author: /time Magazine | Title: The Best and Worst of 2001: Cinema | 12/24/2001 | See Source »

...Mulholland Dr. David Lynch made the first 90 min. of this sexy thriller as a TV movie. When it didn't sell, Lynch added a coda that sends his characters into the weirdest Wonderland, as if Twin Peaks were to morph into Blue Velvet. It's not all intelligible, but it's always fabulous. Like the Coen brothers' excellent The Man Who Wasn't There, Lynch's laugh-scream of a movie dwells lusciously in the Kingdom of Noir. It ransacks old-movie style to create an avant-movie nightmare...

Author: /time Magazine | Title: Cinema | 12/24/2001 | See Source »

...magic paper would morph into all of these and more: the humdrum 5-7, the pain-in-my-rear, “I actually have to go into Widener?” research, and of course, for you seniors out there, THE BIG ONE. Whether the assignment called for footnotes or diagrams, annotated bibs or a boatload of primary sources, the magic morphing paper would be my first line of defense against end of term Scrooges...er...I mean...

Author: By Antoinette C. Nwandu, | Title: Holiday Anti-Stress Survival Kit | 11/26/2001 | See Source »

...possible casualty under this scenario would be the long, scenic routes that cross the country, serving small, remote towns--and losing millions of dollars. The only way such lines will survive in the long run, Heritage Foundation economist Ronald Utt argues, is to morph into entertainment and recreational offerings, as cruise ships have done...

Author: /time Magazine | Title: Is This Any Way to Run a Railroad? | 11/25/2001 | See Source »

...strikingly multi-faceted. This diversity perhaps accounts for the film’s narrative style, which is free-form and free-associative to a head-spinning degree. Archival footage of outrageous singer-pianist Frances Faye will dissolve into a filmed sequence of desert explorer Sir Wilfred Thesinger, which will morph into a series of still shots from small-town parade, which will change into a picture of a young model wearing a turban and silk shawls. Characters and events tumble by, with nary a clear transition or connection to help us understand where they fall. We cannot make sense...

Author: By Emma Firestone, CONTRIBUTING WRITER | Title: Chopped Up Vignettes with Nowhere to Go | 11/16/2001 | See Source »

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