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...female whose real name is Evie -- will be a guest veejay on MTV and early next year will appear in a supporting role in Robert Downey's new movie Rented Lips. "He wasn't playing Hamlet, but Spuds was perfect on the first take every time," says Film Producer Mort Engelberg. "He didn't ask for overtime, and there was no sexual misconduct on the set." Hollywood, in short, seems at last to be barking up the right tree...

Author: /time Magazine | Title: Show Business: Take A Bowwow, Bowser! | 12/7/1987 | See Source »

Haig has no geographic or ideological base of support. The support he does have is mainly among boardroom Republicans. One unlikely backer is Comedian Mort Sahl, who appeared at a Haig fund raiser on the eve of the announcement and later quipped, "I'm the head of Radicals for Haig in Beverly Hills." If nothing else, a Haig campaign -- with its promise of exuberant intensity and occasional mangled jargon -- should make for good copy...

Author: /time Magazine | Title: A Quixotic Four-Star Foray | 4/6/1987 | See Source »

...anniversary of the museum where the Ford Administration's documents are stored -- "in a Dixie cup," according to Paulsen. "It's very exciting here," he said, "if you happen to be a monk." Among those joining the three days of discussions and routines: Art Buchwald, Robert Klein, Mark Russell, Mort Sahl and Chevy Chase, Cartoonists Jeff MacNelly and Berke Breathed, assorted presidential speechwriters and House Speaker Tip O'Neill, who broke a solemn vow against singing in public by serenading Betty Ford with When Irish Eyes Are Smiling. Muttered O'Neill as he shambled off the stage: "Who talked...

Author: /time Magazine | Title: Pratfalls of the Presidency | 9/29/1986 | See Source »

Starring this week in Grand Rapids: Chevy Chase, Pat Paulsen, Robert Klein, Art Buchwald, Mort Sahl, Mark Russell and Jerry Ford...

Author: /time Magazine | Title: The Presidency: The Wit and Wisdom | 9/22/1986 | See Source »

...visualization of it instead of transcribing it as a pattern or making it serve as an organizing element for arbitrary action. In Jealousy, a solo set to Handel, he fills out the score with large, writhing moves and smaller, intimate ones that serve as a kind of punctuation. In Mort Subite (Sudden Death), made for the Boston Ballet, he uses a repeated figure in Poulenc's Organ Concerto as a signal to the dancers to turn and change direction--often leading to their abrupt disappearance from the stage...

Author: /time Magazine | Title: Dance: Seattle's Young Spellbinder | 3/31/1986 | See Source »

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