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...feeling of surprise at being there was palpable. All my political experience had been in the company of those who considered themselves in mortal opposition to Richard Nixon. I had taught for over ten years at Harvard University, where among the faculty disdain for Richard Nixon was established orthodoxy. And the single most influential person in my life had been a man whom Nixon had twice defeated in futile quests for the presidential nomination, Nelson Rockefeller...

Author: /time Magazine | Title: Special Section: SUMMONS TO POWER | 10/1/1979 | See Source »

Dylan's real savior on this album is the music. With all the divinely inspired lyrics, one might expect other-worldly music as well. Instead, a very mortal Mark Knophler of Dire Straits plays impressively of Slow Train Coming, and many of the melodies, like the melancholy "I Believe in You" and forceful "Precious Angel" carry the lyrics. Most of the music on the album, in fact, is very well produced and performed. But no one is going to say that any potential classics are hiding in this album. From the very weak "When He Returns" to the strong "When...

Author: By Suzanne R. Spring, | Title: The Gospel According to Bob | 9/26/1979 | See Source »

...previous ten days, Richie took the subway up from Woodside to watch McEnroe dissect Connors in the semis. He sat in a courtside box that was clearly not his own, and burrows of ripped flesh criss-crossed his palm like tic-tac-toe patterns locked in mortal combat. There was blood on his hands, but the kid from Queens didn't feel guilty...

Author: NO WRITER ATTRIBUTED | Title: Open Season | 9/18/1979 | See Source »

...ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be 'interesting' to know which. We tell ourselves that it makes some difference whether the naked woman is about to commit a mortal sin or is about to register a political protest or is about to be, the Aristophanic view, snatched back to the human condition by the fireman in priest's clothing just visible in the window behind her, the one smiling at the telephoto lens. We look for the sermon...

Author: /time Magazine | Title: Books: American Death Trips | 8/20/1979 | See Source »

...express grand emotions, a voice as resonant and mellifluous as any in the American theater, and consummate physical control. In one scene in the stage Dracula, he brought off a piece of vocal and physical ballet: dodging and twisting around outstretched crucifixes, rasping out curses in defiance of his mortal captors, raging and hissing as he buckles into his cape and subsequently dissolves into a puff of smoke. How can he transfix us so in the face of Badham's busy camerawork and sudden flashes of gratuitous violence...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

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