Word: mortalized
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...maybe someday I will. Alan Ball (Six Feet Under's creator) is adapting a series of novels by Charlaine Harris with a seemingly can't-miss premise, given the current rage for Stephenie Meyer's Twilight books: What happens when the undead try to integrate into mortal society? But while writerly honor forbids me to use a "suck" or "bite" joke, the early episodes of True Blood are, shall we say, drained of interest...
...show the title sequence promises in Episodes 4 and 5, which dial down the heavy-handedness (trusting the audience to get, say, the gay-prejudice allegory without showing GOD HATES FANGS signs) and explore more intriguing corners of undead life (such as the curse of seeing your own mortal children grow old and die). As it happens, they're the work of writers other than Ball. Maybe what this Blood needs most is a transfusion...
...notion of performers being mistaken for cutthroat adventurers has served movie comedies from the 1940s (Gene Kelly's The Pirate and a bunch of Hope-Crosby Road pictures) to the '80s (ˇThree Amigos!). It speaks to the bluster and resilience of show people; when in mortal peril, they do improv and survive. The difference in Tropic Thunder is that the main characters are more eccentric than likable. That's just what you'd expect in a Stiller movie...
...visual logic starts to suggest a cunning subversion. The film is not failed kitsch but triumphant Dada. It exists in an alternative universe, an Abbaworld, where 40 years telescopes to 20, the Seine is the Aegean, and Streep's outsize cheerfulness is the expression of a soul in mortal panic...
...Core will die. The Core is a dead core. This core is no more. It has shuffled off its mortal coil,” English professor W. James Simpson said, imitating a Monty Python sketch...