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...bump of irreverence, accorded only to Walter Bagehot and J. Kenneth Galbraith is Crossman's highest accolade for a mortal. He apears at first to be a genial but waspish don. He has attached his name to a string of monographs and collected essays- Plato Today. The God That Failed, New Fabian Essays. and The Government and the Governed. His current identity as one of the most powerful politicians in the Wilson Cabinet pokes through the do??sb mannerisms: the gray hair parts in the middle, the glasses slide down his nose, the fingers clench in good podium style...

Author: By Thomas Geoghegan, | Title: Profile Richard Crossman | 4/15/1970 | See Source »

...July 1957 Manifesto, in addition to outlining free elections. Castro gave an absolute guarantee of freedom of information and a guarantee to uphold all individual and political rights of the 1940 Constitution. All of these inalienable rights are considered mortal sins if mentioned today in Cuba. In an interview which appeared in Playboy in 1967. Castro himself declared that "only what the government wants is published." In a panel discussion held at St. Andrews Episcopal Church in Wellesley on February 27, 1970. Rev. Russell Johnson, who visited Cuba recently, agreed that Cuba now has a totalitarian regime. In a speech...

Author: By Maurice Magarolas, | Title: The Features Mail The Cuban Situation: Another Look | 4/10/1970 | See Source »

peace, its trials, For the tug and mortal strain...

Author: /time Magazine | Title: American Notes: The Future Holds Thee | 3/2/1970 | See Source »

Pirandello used to ponder the curious fate of the great playwright who, being mortal, changed and died, but whose characters were immutable and immortal. Witnessing great drama means spending an evening with these immortals. The Three Sisters, Olga, Masha, and Irina, who yearn in vain to go to Moscow, have a place in the minds and hearts of people who have never even seen the Chekhov play...

Author: /time Magazine | Title: Theater: Poet of Bruised Hearts | 2/23/1970 | See Source »

...taking meaning away. "Death is the ultimate threat . . . but in fact even those who think they know this, know it not." The Triumph of Death is a gaudy, funny feast of cynicism and imagery. It is unforgettable, but it is oddly without consequence. At its prodding, terror, mortal terror, twitches and rolls over but will not wake...

Author: /time Magazine | Title: Theater: Heartland of the Absurd | 2/16/1970 | See Source »

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