Word: mortals
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Dates: during 1970-1979
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...allegiance to Communism. Ever since he succeeded Dubček in 1969, he has persistently claimed that he would not tolerate political trials. Apparently he has been under pressure from the Russians to crack down on would-be reformers; last month, an editorial in Pravda warned of the "mortal danger" of "counterrevolution in Czechoslovakia...
What is unique to this particular "credibility gap," not the Red scare; extraordinary stridency of public reaction to it, is that it comes during a time when this country is locked in combat with its mortal enemy--Communism. In other words, the present controversy is primarily due not to the revelation of the gap itself, but to the revelation that government deceptions serve to cover up Communist encroachment which might eventually pose a threat to an unaware public. And this supposed threat need not be solely military--the very thought, for example, of such a defiantly anti-American ideology triumphing...
Yokoi was quite bewildered by his sudden return to civilization. He knew vaguely what jets were-"those strange planes whose wings are all swept back"-but he had not known that the emperor whom he had served so faithfully was now a mere mortal instead of a god. One of Yokoi's first questions to reporters was on a political matter: "Tell me one thing quick: Is Roosevelt dead?" The ex-sergeant burst into tears when told that his mother had died...
...brevity, Borges limns a decadent nation where language-and all that it implies of hope and beauty -is the execrated enemy. Disdaining vowels, Borges' updated Yahoos grunt only in consonants. When they want to open what passes for a conversation, they fling mud. Their king is protected from mortal corruption by being blinded and castrated...
...year 1971 witnessed the arrival of surprisingly few new superstars. Heroes from the days of psychedelic idolatry--the Airplane, the Dead, the Stones, John Lennon--regained their mortal human natures. The dream was over, music was de-politicized, and according to the media, students became either wonks or Jesus freaks. At concerts, the widespread occurrence of antisocial behavior, pseudo-radical disruption, and hostility toward performers seemed to reflect the pain of abandoning an essentially delusional relationship with popular music. The crash was an inevitable reaction, encouraged by many stars who combined a renewed emphasis on pure entertainment with a more...