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...almost parallel to the snow. Nobody else has quite mastered his avalement technique of accelerating on the downhill turns-rocking back on his haunches and thrusting his skis so far forward that he seems certain to fall. Few have the courage to ski, as he puts it, "toujours à mort." And few can match his mental approach to a race. "When I ski, I ski," he says. "I am all alone with the mountain. I leave everything else aside...

Author: /time Magazine | Title: The Olympics: The Man to Beat | 2/9/1968 | See Source »

...past, producers operated on the axiom that if viewers could be hooked in the first three weeks of a new series, they would stick with it all season. So why bother about quality? Now, says NBC's Mort Werner, "viewers are less committed. They make their selections on a program-by-program basis, and if a special seems more interesting than a series, well, the dial is just an arm's length away...

Author: /time Magazine | Title: Programming: At the Halfway Mark | 1/12/1968 | See Source »

...mental illness of the superior officer's wife, and finally lands on the theme it ends with, the even stranger, growing infatuation of Miss Taylor's husband (Marlon Brando) with the enlisted man. Reflections even injects a slight dose of anti-Semitism, in much the way that Mort Sahl used to ask if there were any groups he had not offended. A sort of something-for-everyone approach to film-making...

Author: By Glenn A. Padnick, | Title: Reflections In A Golden Eye | 10/25/1967 | See Source »

...stations. David Susskind's discussion show hits 17 stations. William F. Buckley Jr., on 20 stations, commands one of the more intelligent talk shows. Los Angeles Mayor Sam Yorty is a regular chatterbox on local TV, joshing away with Pierre Salinger or George Jessel, and Comic Mort Sahl has found a Los Angeles TV soapbox from which to harangue an avid following with his prophecies of Armageddon...

Author: /time Magazine | Title: Television: Midnight Idol | 5/19/1967 | See Source »

...tragedy of this erstwhile comedy, Celeste Holm, who plays Sandra's mother, pronounces such stagy prattle as: "Don't you like him any more? I mean are you afraid it was just (pause) physical?" For those who wonder whatever happened to that angry young hippie, Mort Sahl, Doctor casts him in a cameo part as a square nightclub owner. Even a grain of Sahl adds no flavor to this tasteless trifle...

Author: /time Magazine | Title: Cinema: A Fade Worse than Death | 5/19/1967 | See Source »

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