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The zine's primary focus on raunchy sex, however, undermines this melodramatic tone. Here, too, the writing is uneven. The first piece is entitled "Stiff" and relates how a college student is overcome with attraction for a cadaver in the bio lab and indulges in necrophilia. Knowing the area above...

Author: By Edith Replogle, | Title: Neigh, Neigh, Nanette | 2/10/1994 | See Source »

At the end of the film, we are no closer to knowing the truth, and that is in great measure the movie's theme, the very unknowability of truth. Kurosawa's film has become so associated with this notion that the word "rashomon" has passed into the language, and is...

Author: By Joel Villasenor-ruiz, | Title: `Rashomon' Is Truly Classic, Even If Truth Is Unknowable | 12/2/1993 | See Source »

The authors who penned the parody for the spoof issue, third-year law student Craig B. Coben and Ken Fenyo, called their article the He-Manifesto of Post-Mortem Legal Feminism." Their article was signed, "Mary Doe, Rigor-Mortis Professor of Law."

Author: By Molly B. Confer, CRIMSON STAFF WRITER | Title: Revue Authors Will Go Undisciplined | 6/1/1992 | See Source »

The Revue piece, titled "He-Manifesto ofPost-Mortem Legal Feminist" and signed by "MayDoe, Rigor-Mortis Professor of Law," was intendedas a parody of an article by Frug printedposthumously in the Law review in March.

Author: By Philip P. Pan, CRIMSON STAFF WRITER | Title: Two Take Blame For Frug Parody | 4/15/1992 | See Source »

The piece, which refers to its author as"Rigor-Mortis Professor of Law," describespostmodern feminists as women who "don't wearmakeup,...wear all Black, because wHITE [sic] isthe color of mirth,...[and] wear good, comfortablewalking shoes."

Author: By Marion B. Gammill, CRIMSON STAFF WRITER | Title: Law Review Apologizes For Parody of Frug Piece | 4/13/1992 | See Source »

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