Word: mosaicism
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Among the material in his files are research papers showing that there are Fibonacci numerical patterns in the meter of works by Virgil and other Roman poets, and Fibonacci relationships between the different sizes of mosaic patterns in the floors of Greek and Roman ruins. There are studies showing that the ratio between any two successive larger Fibonacci numbers is 1 to 1.618-the same as the ratio between the sides of the "golden rectangle," a form that is traditionally used by artists and architects to produce effects that are most pleasing...
...Mosaic Observations. The reissue two years ago of Death on the Installment Plan helped confirm Céline's status as an important college-cult figure. Castle to Castle may mark wider recognition in the U.S. for Céline as one of the considerable writers of this century. Yet Céline's belief that he was in the esthetic avant-garde is overblown, and so are the claims that this book is a germinal literary event. Celine said that he wrote the way people talk and evidently regarded this as a startling innovation...
Idiosyncratic as Céline's novels are, they nevertheless offer a mosaic of clinically observed poor and pitiable people. Recent French novels, on the other hand, have abjured any attempt to examine man on a Proustian or Balzac -ian scale in favor of esthetic gimcrackery, narrow psychological study and freakish private experiment. As a literary construction, Castle to Castle is equivocal-a hateful papier-mache funfair castle inhabited by real monsters...
...yellow enamel of the decay in his teeth, the wet glistening of his frightened eyes. I could see every hair in his head, as though each was as big as an oak tree. What a confrontation! What am I doing out here, out of my mind, with this strange mosaic-celled animal, prisoner, criminal...
...play, they are not always dark and unknown. A great play is flooded by its author with inner light, and it is usually some jaded director who drags the drama off on some footless side path and leaves it mired and mangled. The text is not sacred Mosaic law, but it is more than a pretext for whimsical directorial pranks. Peter Brook is not that kind of man. He looks before he makes his exciting leaps. He wants a theater of passion and directs his plays to that end. At his best, he is flamboyantly faithful to his own finest...