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University spokesman Chris Mosher said that specifics of the search procedure could not be disclosed until after the formation of the special Board of Trustees committee. He also said that he could not estimate the amount of time needed to find Ryder's successor but added that the process would be completed as quickly as possible...

Author: By Melanie R. Williams, | Title: Northeastern's Ryder to Resign After 14 Years at School's Helm | 9/24/1988 | See Source »

...important and imperative that we find a successor for Mr. Ryder. [The search] is definitely something that is a priority for the university," Mosher said...

Author: By Melanie R. Williams, | Title: Northeastern's Ryder to Resign After 14 Years at School's Helm | 9/24/1988 | See Source »

...They always say horrible things about me. They'll be saying those things for the rest of my life." Then she joked about inviting one of her harshest critics to her birthday party. While everyone involved in the show acknowledges that she has helped at the box office, Director Mosher says her notoriety cuts both ways: "You don't want a play that you have worked on for five years to be overshadowed by a rock star...

Author: /time Magazine | Title: Theater: Madonna Comes to Broadway | 5/16/1988 | See Source »

...movie I had seen in a long time that had stimulating language," she says. "I didn't feel it had been written for the masses. So I wrote my first fan letter." A few months later, she heard about Mamet's play through veteran Director Mike Nichols, and contacted Mosher, with whom she and Penn had worked in a nonpublic, workshop staging of David Rabe's play Goose...

Author: /time Magazine | Title: Theater: Madonna Comes to Broadway | 5/16/1988 | See Source »

That led to two multi-hour auditions and, later, what Mosher calls "small but significant rewrites during rehearsal" to accommodate the part to her. Adds Mosher: "Madonna brings a backbone of steel. Mamet made the character, rather than a poor soul who is battered to the ground, someone about whom there is an element of doubt." Indeed, the play's pivotal question is the true nature of her role, the smallest of the three but the engine of the plot. Says Mosher: "The audience is meant to go out asking one another: Is she an angel? Is she a whore...

Author: /time Magazine | Title: Theater: Madonna Comes to Broadway | 5/16/1988 | See Source »

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