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...According to federal officials, the members of what was quickly dubbed the "pizza connection" had smuggled some 1,650 Ibs. of heroin, with an estimated street value of $1.65 billion, into the U.S during the past five years. The arrests, particularly those in the Midwest, shocked neighbors. Mary Moss, who owns the grain elevator across the street from Giuseppe Vitale's pizzeria in Paris, Ill., spoke well of his product. "He makes a marvelous pizza," she said. "He uses real bacon, not bacon bits...

Author: /time Magazine | Title: The Sicilian Connection | 10/15/1984 | See Source »

...these come "sits" (in-person meetings with the customer) and the hallowed "closing" of the deal. This month the agency is holding a contest among its four salesmen: Roma (Joe Mantegna), the slick master of sympathetic patter; Aaronow (Mike Nussbaum), an aging nebbish trudging on the treadmill of anxiety; Moss (James Tolkan), bullet-headed and bull-tempered; and Levene (Robert Prosky), a salesman on a long losing streak, who can beam like a bishop at good news and just as quickly turn to wheedling for his job. Running herd on these macho individualists is the consummate organization man, Williamson...

Author: /time Magazine | Title: Theater: Pitchmen Caught in the Act | 4/9/1984 | See Source »

Surprisingly, a poet has proved most successful in breaking through the language barrier. Joseph Brodsky, 43, one of the finest Russian poets of his generation, has been rendered into English by such distinguished American colleagues as Richard Wilbur, Anthony Hecht and Howard Moss. Brodsky has even acted as his own translator for two of the poems included in his latest collection, A Part of Speech (Farrar, Straus & Giroux). Currently a New York City resident, Brodsky has been covered with honors, prizes and fellowships, including a $208,000 Mac Arthur Foundation award in 1981. Manifestly, he has traveled a vast distance...

Author: /time Magazine | Title: Books: Soviet Literature Goes West | 3/12/1984 | See Source »

...Moss Hart testified that the prayer of ev ery aspiring playwright was, "Please God, let Jed Harris do my play." Nevertheless, with playwrights from Ben Hecht to Thornton Wilder, he imposed marathon revisions and usually ended by demanding a co-author credit and half the royalties. When he directed Arthur Miller's The Crucible in 1953, he responded to an out-of-town audience's calls for the author by going onstage and taking...

Author: /time Magazine | Title: Books: Wonder Boy | 1/30/1984 | See Source »

Part of the soul of this success, a good deal of the inspiration and most of the attention have been laid at the swinging door of Boy George. Says Percussionist Jon Moss, at 26 the band's elder statesman: "Boy George is our anchor. You're never going to be able to spot a Culture Club record by just the music. It will be George's voice that identifies us." The voice is an excellent instrument, gliding over notes like a Slinky toy that springs downstairs on its own power. As the saloon singers of an older...

Author: /time Magazine | Title: Music: Picking the Pockets of Pop | 11/28/1983 | See Source »

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