Search Details

Word: mosses (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

With his Three Sisters. Leland Moss takes some very large first steps (particularly considering he has had two months, not seven years, with his actors) toward achieving Grotowski's total "Poor Theatre...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

Amazingly enough, Moss accomplishes not only the easy part of the job-removing all the stage's physical accessories-but much of the hard part-actor-audience communion-as well. And in doing that, he makes a powerful case for the validity of an ideal Grotowski theatre...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

...Sisters , which opened on the Loeb mainstage Thursday night. As I entered the theatre, I was just not in any condition to function as a journalist: I was physically exhausted and emotionally pre-occupied. In this context, maybe you can understand how remarkable it is to me that Leland Moss's production of the Chekhov play not only kept me awake for its entire three-and a-quarter hour duration-but sometimes even succeeded in making me forget everything else except what the actors on stage were giving to the audience...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

...emphasize the fact that the actors give, because their power of giving was immense. It was irresistible; I think even the dead would have to respond. And the actors' dedication to giving is here because of the theories director Moss has used for guidance in his show-those of Jerzy Grotowski. she now-famous mentor of the Polish Laboratory Theatre...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

...LELAND Moss: When I first came to Harvard, the standard of success generally depended upon a polished, finished production. There was great emphasis on everything being "set," that is, completely established by opening night- claborate costumes, lighting and all sorts of peripheral, so called theatrical effects were deemed essential for a show to succeed...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | Next