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Word: mosteller (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...magazine is worth its price for Starbuck alone, but there's more. John W. Loofbourow interviews the Poets' Theatre personified in an enlightening dialogue marred only by a pedantic reference to Latin drama in the Elizabethan universities. Of 21 or so drawings by Joyce Reopel, Kaffe Fassett, Zero Mostel, Arthur Polonsky, Lynn Schroeder, Jane Nichols, John Wilson, and Renzo Grazzini, more kind words might be said, but that would require another review...

Author: By John H. Fincher, | Title: Audience | 10/7/1958 | See Source »

...sets of Good as Gold, especially a mammoth picturesque scale at Fort Knox, are quite gay and appropriate. The acting is not disappointing, but it cannot help much. Roddy Macdowall handles most of what can be done with the hero's role with buoyant competence, and Zero Mostel is often very funny, bellowing enough in his role as the jolly rascal to cover up some of the obviousness of his speeches. The rest of the cast is also adequately adept, but nothing about the production is bright enough to make the evening more than a nearly-made-it comedy...

Author: By Larry Hartman, | Title: Good As Gold | 2/21/1957 | See Source »

Good as Gold and what could be better? A new perhaps comedy written by John Patrick. Roddy Mcdowell, Paul Ford, Zero Mostel, and a carrot seem to be starred. Opens tonight at the Schubert...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 2/16/1957 | See Source »

Before the Brattle's last performance, Moliere's The Doctor in Spite of Himself, one could see the difference in attitude between the old Brattle the company and those who were there for this play alone. Zero Mostel, a Broadway and Holly wood comedian, was the featured performer, and he was enthusiastic about the theatre and angered that it had never gotten outside financial support...

Author: By Michael Maccoby, | Title: The Brattle Theatre--Brilliance and Arrogance | 11/14/1952 | See Source »

...disenchanted mistress of an idealistic French colonel (Lee J. Cobb), and the scene is Damascus in 1925 under the cloud of bitter French-Syrian warfare. Gun-Runner Bogart runs afoul of Colonel Cobb in both love & war, while a murky gallery of black marketeers, informers and Arabian fanatics (Zero Mostel, Nick Dennis, Onslow Stevens, et al.) snuffles ominously through the background...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 2, 1951 | 7/2/1951 | See Source »

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