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According to J. Michael Griggs, Technical Director of the Loeb Drama Center, the most impressive aspects of Zellmann-Rohrer’s lighting career are the sheer quantity of productions on which he has served and the calm with which he manages his responsibilities. During the last four years, Zellmann...
Zellmann-Rohrer came to Harvard with very little experience in lighting design. “I had done some design in high school on a very small scale,” he explains, “but I never had any formal lessons. During my freshman spring I just started...
Zellmann-Rohrer, a Classics concentrator in Mather House, says he plans to pursue a PhD in Classics after graduation and does not foresee a future in lighting design. “I don’t think I’m committed to do it professionally,” he...
Williams’ politically motivated poems, which display his deep engagement and discouragement with contemporary affairs, are nevertheless not the most compelling ones in his collection. Rather, the most riveting moments in “Wait” come from Williams’ autobiographical ruminations, which give his reader glimpses...
What happens after “happily ever after”? This is the question that drives “Into the Woods,” directed by Jordan A. Reddout ’10 and playing on the Loeb Mainstage through May 1. In Stephen Sondheim’s...