Word: motel
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Dates: during 1980-1989
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...being allowed to read it. But when one of his interrogators then jumped up and shouted, "We've got ourselves another spy!" Bracy immediately denied saying anything of the kind. He also denied any sexual involvement with Soviet women and, says Powell, was held incommunicado for hours in a motel room after he had asked to see an attorney...
...Evans, the woman who writes the syndicated column "Hints from Heloise." This involves, for some reason, driving from Chicago to San Antonio, where Evans lives. "In Muskogee, Oklahoma," Frazier confides, "I saw a Taco Hut, a Taco Bell, and a Taco Tico." Then he has to find a suitable motel ("I wanted a locally owned one") and assess his impressions so far: "I had not been in Texas long before I started having millions of insights about the difference between Texas and the rest of America. I was going to write these insights down, but then I thought -- Nahhh...
...down" a few blocks. Just outside his home, he agreed to an interview. Hart denied any impropriety but, the reporters said, acted nervous and evasive and refused to let them talk to the woman. After 20 minutes, Hart ended the interview, and the reporters went to a motel to write their story, which was rushed into a late edition of Sunday's paper...
...sacrifice. He witnesses Epiphany engage in a ritual sacrifice of chickens to the Dark Lord, has recurring hallucinations of orgies and encounters a masked, black-clad creature, culminating in the now infamous scene in which gallons of blood fall on him and young Proudfoot while they screw on his motel room...
...scene and characters, but not the cast, are completely different. A group of people gradually gather in a motel room to await the arrival and performance of the Arno Klein Theatre troupe. Lynette (Harriet Harris) and Gary (Nestor Serrano) have driven for 300 miles just to see them. But this is not your usual motel room. It soon becomes clear that this is the mysterious "Day Room," mentioned in the first act. DeLillo is in hot pursuit of as much theatrical symmetry as he can force down the audience's throat...