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Word: motet (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...little blurred, and the diction is not as clear as it has been. But the sensationalism, the milking of each piece for the last ounce of "effect" has also gone, and the resulting straight readings are more honest and rewarding. This was particularly evident in Bach's Motet No. 1, also for double chorus, a capella, which preceded the Thompson...

Author: By Paul A. Buttenwieser, | Title: Thompson Requiem | 4/27/1959 | See Source »

Harvard and Radcliffe Musicians and artists have been invited to participate in the newly-organized religious arts program at The First Church in Cambridge, Congregational. Auditions for the church's new motet choir will be held Monday evening at 7:30. Plans are also under way for a program of religious art exhibits during the year...

Author: NO WRITER ATTRIBUTED | Title: RELIGIOUS ARTS | 9/26/1958 | See Source »

...Vivaldi was preceded by a Brahms motet, O Heiland Reiss die Himmel Auf, portions of a Byrd Mass, and a powerful Brahms prelude played magnificently by the organist, James Armstrong...

Author: By Paul A. Buttenwieser, | Title: Church Music | 4/14/1958 | See Source »

...finest bridge in all Peru broke and precipitated five travelers into the gulf below." It posed the intriguing question: Did they die by accident or by divine plan? Its prose was clean and classical, its characters adroitly limned and it was constructed with the delicacy of a motet. But it was essentially a tour de force, and Wilder's publishers were surprised at its runaway success. Bridge won the Pulitzer Prize, sold more than 2.000,000 copies, was translated into some two dozen languages and two bad motion pictures. As produced for CBS by David (Prince and the Pauper...

Author: /time Magazine | Title: Television: Review | 2/3/1958 | See Source »

...Mozart's motet for soloist and orchestra, "Exsultate, jubilate," which preceded the Hindemith, fared less well. The spirit of Hindemith hovered over, giving an air of tenseness that was out of key with this more gentle work. The orchestra, which is usually excellent in accompaniment, was strangely insensitive and much too loud. Miss Lunn, although technically in full command of her difficult part, had to push her voice, and still was often inaudible, especially in the cadences. The entire performance of this work bordered on the hysterical...

Author: NO WRITER ATTRIBUTED | Title: Bach Society Orchestra | 12/16/1957 | See Source »

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