Word: mother
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Dates: during 1960-1969
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Neither Tony nor his family would quit. His mother said novenas to St. Jude (patron saint of hopeless cases). His father offered his eyes for transplants. The experts sadly shook their heads. Tony was through, they said. The force of the blow had punched a tiny hole in his retina, thus causing a loss of depth perception, a hitter's most valuable asset. Tony still insisted on going to spring training last year, but his performance only confirmed the medical diagnosis. In batting practice he missed pitches by a full foot. In exhibition games he struck out constantly. Finally...
...steamy morning, a young librarian named Neil Klugman (Richard Benjamin) meets vacationing Cliffie Brenda Patimkin (Ali MacGraw). Neil is a wry, unfocused dropout, from both college and society. Sleek and chic, Brenda has had not only her nose fixed but her psyche as well. Her mother (Nan Martin) is a fashionably haggard parvenu who objects to Neil's background, his manners and, most important, his drab occupation. Brenda's father (Jack Klugman) commits a more serious sin-he trusts his daughter and lets her know...
...genuinely intimate love scenes, in the comic portrait of Brenda's super-athletic, subhuman brother (Michael Meyers), in the feline mother-daughter skirmishes, Director Larry Peerce (One Potato, Two Potato) has produced some rare moments of high social criticism. But he has an uncertain grasp of his vehicle, and periodically it lurches out of control. At times, Benjamin seems to be playing Dustin Hoffman's gawky second cousin rather than the acrimonious Neil of Roth's story. The film's observations of the nouveau riche Patimkins are subtle enough-until a parody of a Jewish wedding...
...Piano (1952). told how a crew of smoothly programmed engineers take over America. Another, Cat's Cradle, began with a reporter trying to fix the whereabouts of important Americans at the time the bomb was dropped on Hiroshima and ended with the end of the world. A third, Mother Night, explored the guilt of a patriotic spy and propaganda agent, "a man," as Vonnegut summed him up, "who served evil too openly and good too secretly, the crime of his times...
...mortality rate is very high so you should be careful who you take to it. I remember in the middle of the twenty minute slaughter that ends Bandelero!, the beautiful girl I had dragged along said to me, quite seriously, "I hate you for this!" I took my mother to 100 Rifles, which was also a mistake. You can't be too careful about these things if you want to enjoy long happy chunks of cinematic annihilation...