Search Details

Word: mother (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...Victorian predecessors, Storey remains outside his characters, looking in; he avoids interior monologues, allo ing the feelings of his characters to surface in their words and actions. Colin is the focal point of the novel--Mr. and Mrs. Saville are always referred to as "his father" and "his mother" even when the antecedent is unspecified--but Storey refuses to lose himself in a single point of view, preferring the role of a restrained omniscient narrator...

Author: By Julia M. Klein, | Title: Up From the Coal Mines | 5/16/1977 | See Source »

Colin's story begins before Colin's birth--in the mysterious wanderings of his older brother Andrew. Between Andrew and his mother there exists a bond religious in intensity: he is "both a trophy and a burden, she the successful recipient and suffering host." Her suffering reaches its apex when it turns out that Andrew's persistent excursions from home have an otherworldly goal; after his death of pneumonia, the longing for escape which was his by nature is projected onto Colin by his ravaged parents with a fervor which is again religious...

Author: By Julia M. Klein, | Title: Up From the Coal Mines | 5/16/1977 | See Source »

...eludes Colin is all about him, in Storey's precise depiction of the fictional world he inhabits. The effects in Saville are rarely obvious; our passport into Colin's dilemma is understatement and the slow accumulation of detail. Storey uses strings of adjectives almost lovingly. Writing of Colin's mother, he says: "It was as if her life had flooded out, secretly, without their knowledge, and she some helpless agent, watching this dissolution with a hidden rage, half-apologetic, half-disowning." It is this dissolution, the steady draining away of life and resolve, which afflicts so many of these characters...

Author: By Julia M. Klein, | Title: Up From the Coal Mines | 5/16/1977 | See Source »

...greenhorn like Smitty, you either let others push you around or you learn fast how to push them around. Queenie, a very funny, cynical character played with perfect wise-ass sureness by Steven Johnson, gives Smitty a crash course in this special language of protection: "Queenie's your mother," Johnson tells him, "and everybody needs a mother." Later Queenie leaves on a visit to the General's office, and Smitty is cornered by Rocky, whom John Alden plays with a slightly forced cockiness. Rocky lays out two alternatives to the rookie: either Smitty lets him become his "old man" (sexually...

Author: By Mark T. Whitaker, | Title: Barbarity Behind Bars | 5/13/1977 | See Source »

...flowers were so nice and pretty and yellow, I wanted to take them all and give them to my mother," a pedestrian said yesterday, adding, "I think they were tulips but the men weren't exactly tip-toeing through them...

Author: By Marcela L. Davison, | Title: Tulip Time | 5/12/1977 | See Source »

Previous | 206 | 207 | 208 | 209 | 210 | 211 | 212 | 213 | 214 | 215 | 216 | 217 | 218 | 219 | 220 | 221 | 222 | 223 | 224 | 225 | 226 | Next