Word: mother
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Dates: during 1970-1979
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...impossible. Says A.B. ("Pete") Slaybaugh, chief of Continental Oil's exploration team in the area: "Frequently we find ourselves drilling through more than one layer of soil, shale and rock, only to find another layer of the same. With a normal well there is usually only one layer. Mother Nature didn't do us any favors...
...events in the magician's life, freely rearranged, are played out in stylized, pageantlike scenes. His birth is presented as his first "great escape." But he remains passionately tied to his mother. Her death at the peak of his career leads him to court, then to denounce, the spiritualists who are unable to put him in touch with her. After his own death, his wife Bess holds seances for ten years in an attempt to reach...
...Houdini, Tenor Jerold Norman was re-creating his role in the Amsterdam production, and the experience showed in his secure, if rather monochromatic, performance. Other major roles were ably filled by Rita Shane as Houdini's mother, John Brandstetter as his manager and Viviane Thomas as Bess. Conductor Richard Dufallo, who heads Aspen's annual Conference on Contemporary Music (at which Schat is one of this year's composers-in-residence), had the work firmly in hand. His youthful chorus and orchestra managed most of the score's difficulties, though without making them sound any less...
Despite his place in the family dynasty, Otis Chandler learned the business from the bottom up. After he returned from the Korean War, his hard-driving mother, Buff Chandler, now 78 and still the grande dame of the Los Angeles cultural establishment, gave him one weekend off, then started him on a seven-year grind that took him from the mail room to the city room. Chandler is quick to deny any implication that he is his mother's masterpiece: "Her influence on the paper since I've been publisher has not been significant...
...mood on the Pretty Baby set was quite different. Shields recalls that Director Malle "usually talked to my mother, not me. She'd come back and tell me what he said. He was afraid to talk to me, I think. In the beginning, on the set, no one knew what to say to me. Then I tried to talk to the people on the set more as an adult than a little kid. After that it was fun. In the beginning Malle directed me more than the others, but soon we were all treated the same...