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Word: motheral (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Like Lolita, The Enchanter is about a middle-aged bachelor whose passion for a blithely seductive adolescent drives him to desperate, hapless schemes to gain access to her. His obsession carries him so far as to marry the child's unappetizing mother and to put up daily with her drabness and phlegm...

Author: By Jane Avrich, | Title: `Fire of My Loins'--With a Douse of Water | 11/6/1986 | See Source »

...characters of mother and daughter are completely overshadowed by the story's half-mad protagonist, serpentile in his stealthy pedophilia. The mother, meanwhile, is reduced to the stereotype of the hypochondriac nag, while the daughter--behind the violet mist of the poetic physical description--is no more than a cute, slightly buck-toothed kid on roller skates...

Author: By Jane Avrich, | Title: `Fire of My Loins'--With a Douse of Water | 11/6/1986 | See Source »

...mother and daughter are flat characters partly because they are not given voices. The Enchanter lacks the squabbles and banter which pepper the pages of Lolita. While the child in The Enchanter remains for the most part mute, Lolita utters vulgar taunts and slangy witticisms. She knows that she is a "bad, bad girl. Juvenile delickwent, but frank and fetching...

Author: By Jane Avrich, | Title: `Fire of My Loins'--With a Douse of Water | 11/6/1986 | See Source »

Sometimes in country music, it seems as if every other person who can carry a tune has got some Cash connection. There's Johnny, naturally, and his wife June Carter, and her late mother Maybelle, and his daughter Rosanne. Now, as fans of the Miss America contest know, there is his grandniece Kellye Cash. Her singing selections in the talent competition ran more to pop and the blues, but the 1987 Miss America would hardly deny her kinship for country crooning. During a homecoming celebration in Jackson, Tenn., Kellye, 21, got onstage for the first time with Great-Uncle Johnny...

Author: /time Magazine | Title: People: Nov. 3, 1986 | 11/3/1986 | See Source »

From his first eminence in the early '50s as the rage of syndicated TV, Liberace was a vision out of a closet yet to be opened in mainstream show business. The silken singsong voice, the candelabrum, the welded dimples and fluty presence, the references to his sainted mother Frances, all made him a conversation piece, a figure of fun -- the Gorgeous George of mid-cult music. As Michael Herr observes in his new book The Big Room, "Never before, at least knowingly, had a man ever had the big steel balls to show himself like that, and on television...

Author: /time Magazine | Title: Liberace: The Evangelist of Kitsch | 11/3/1986 | See Source »

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