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Word: motherhood (lookup in dictionary) (lookup stats)
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...White field on the Loeb stage is not the representative of the Life Force, the pursuer who must necessarily conquer John Tanner to achieve motherhood; and John Tanner (but some of this is Shaw's doing) is not the artist who must remain free to give the Life Force meaning and whose entrapment is tragic...

Author: By Joseph M. Russin, | Title: `Man and Superman' at the Loeb | 8/2/1963 | See Source »

Instead, Etain O'Malley has created a woman who just wants a man and knows how to get him. Motherhood is not very much in the picture. Philip Kerr's John Tanner protests far too much to be believed. He is going to marry Ann: he knows it, she knows it, we know it, and what's more, he wants to do it. This still makes for a good story, and Kerr is quite amusing as he attempts to avoid his inevitable fate, but it is not quite the whole story proposed by Shaw's lines...

Author: By Joseph M. Russin, | Title: `Man and Superman' at the Loeb | 8/2/1963 | See Source »

...love with her. "I've been fooling you about not being on the make all this time. I am on the make, but I promise you that I am very manageable" he admits. Toby's manageability and his lack of it, plus Jane's well-disguised condition of approaching motherhood, are the elements of the drama which reaches an apex of pathos in the relations of two sensitive people in love. The circumstances surrounding Toby's introduction to the fact of Jane's pregnancy, amplified by his initial consignment of her to his file-drawer for virgins, send him into...

Author: By Robin M. Downing, | Title: 'L-Shaped Room': Cathartic Love | 7/16/1963 | See Source »

...Shaped Room. The plot may be soap-operatic, but sensitive direction and good performances by luminous Leslie Caron, hawk-faced Tom Bell and oldtime Vaudevillian Cicely Courtneidge help to make this story about love, loneliness and unwed motherhood more than worthwhile...

Author: /time Magazine | Title: Time Listings: Jun. 14, 1963 | 6/14/1963 | See Source »

...sound track turns on a spigot marked Brahms to cue every tender moment. But L-Shaped Room shrugs off these shortcomings to become a beautiful and refreshing film. Part of the credit goes to Director Bryan Forbes (Whistle Down the Wind), whose screenplay honestly makes the unwed-motherhood story a low-key masterpiece of candor and sensitivity. A larger share goes to Leslie Caron; she plays not a girl who "got into trouble" but a young woman of remarkable dignity who, after a loveless weekend affair, chooses the less convenient road. Faced with the insinuating soft sell of an abortionist...

Author: /time Magazine | Title: Cinema: Unwed Dignity | 6/7/1963 | See Source »

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