Word: motherlessness
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...some U.S. dioceses have stopped adoption services altogether rather than comply with state funding rules that require them to allow gay adoption--and the conservative, Colorado-based group Focus on the Family. Bill Maier, Focus' vice president and chief psychologist, insists the practice "hurts children because it intentionally creates motherless or fatherless families," and he accuses child-welfare agencies of "a real biased push to normalize same-sex parenting." He adds, "I don't see any shortage of heterosexual parents willing to adopt." Although they say it's not linked to the anti- gay-adoption effort, Focus and other conservative...
When TIME asked MADONNA this summer about rumors that the mother of two might adopt a child, her response was a coy "Never say never." That's pop-star speak for "Very soon." A judge in Malawi last week approved her bid to take home a motherless 1-year-old, a move applauded by the boy's father. But local rights groups still objected. Apparently Madge's efforts to raise millions of dollars to help the sub-Saharan country's 900,000 or so orphans doesn't change the fact that she's no Angelina Jolie...
...Film people are not immune to sentiment, but they make pictures with kids because, well, they hope a sack of money will fall on them. A big project (like the Harry Potter series) can earn zillions, and even the smaller ones do O.K. Because of Winn-Dixie, about a motherless girl (AnnaSophia Robb) and her pet dog, was made for an estimated $15 million and pulled in $13 million in its Presidents' Day weekend debut--and it's not even very good. Dear Frankie, a Scottish drama about a fatherless deaf boy (Jack McElhone), has been charming festival audiences...
...sadness of motherless Opal is dull, the changes of heart haphazard, and the pivotal realization – that townsfolk seemingly so different nevertheless share in common a love for Winn-Dixie – falls flat. And no matter how many times director Wayne Wang (The Joy Luck Club) bridges his scenes with beautiful images of towering oak trees draped with Spanish moss and childhood picnics set against a sun-drenched palette, the film never inspires any more than a dry chuckle or a single sniffle...
...sadness of motherless Opal is dull, the changes of heart haphazard, and the pivotal realization – that townsfolk seemingly so different nevertheless share in common a love for Winn-Dixie – falls flat. And no matter how many times director Wayne Wang (The Joy Luck Club) bridges his scenes with beautiful images of towering oak trees draped with Spanish moss and childhood picnics set against a sun-drenched palette, the film never inspires any more than a dry chuckle or a single sniffle...