Word: motherly
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Dates: during 1950-1959
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...Mother and Child, Amen departs sharply from the traditional Madonna ideal. While the plump infant grasps for her breast, the mother appears gaunt; and the multitude of lines evoking the forms of her collar-bone, neck and face seem to suggest a network of veins to her breast. The hint of despair in her eye reinforces the impression that she is being sucked dry by her thoughtless, greedy child. In its bitter message, stated with subtlety and thoughtfulness, this work provides a revealing antithesis to the view of children implicit in Amen's prettified prints like To Wonder...
...husband, a railroad brakeman (played by Painter Larry Rivers), comes home. He has invited a High Church bishop for tea. The bishop is like 20 years old, and he brings his mother. Not all the Beats are pleased. Ginsberg: "I'll go in the bathroom and watch television." Corso wonders if the bishop knows about "beer bottles that come in magic candlesticks. Is alligators holy, Bishop? Is everything holy? Are we all in heaven now and don't know about it? Jamambi, jamambi, jamambi, jamac." After that, the plot thins, but it is the flavor that matters...
...claimed he had been a Red general. His brother Boris, 64, he said, was a concert violinist and had been the Soviet Union's top art official in the early 19205. They left Russia for Japan in 1926, taking with them 200 "masterpieces" collected by their mother. Settling finally in Manhattan, they became naturalized citizens in 1945. By then their collection totaled some 280 canvases, which they valued at about $25 million, included paintings with such signatures as Gauguin, Van Gogh, Soutine, Cezanne and Monet. But money was running out. Nine months ago they rented a Madison Avenue showroom...
Director Truffaut, who also wrote the script with Marcel Moussy, tells a story that derives from his own childhood experiences in a reform school. His hero is a French schoolboy (Jean-Pierre Léaud), about twelve years old, who lives with his mother and father in a Paris tenement. Actually, the boy's father is just a man his mother married when she found herself pregnant-a nice, easygoing nobody who brings home a steady salary and doesn't ask too many questions. The mother herself is no better than she should be: a pretty, shallow blonde...
...learns early to "defend" himself, as the French say. Naturally independent, he soon becomes a proficient liar, steals from his mother's purse, cheats in class, plays hooky. Finally the boy decides to "faire les quatre cents coups" (go for broke). He runs away from home, and to get money steals a typewriter from his father's office. He tries to sell it, finds he cannot, and is caught when he returns the machine. Horrified, his father takes him to the police station "to teach him a lesson." The children's court sends him to an "observation...