Word: motif
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Dates: during 1880-1889
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Professor C. C. Everett, of the Divinity School, read a paper on "The Tragic Motif in Browning's Dramas" at a meeting of the Browning Society of Boston last Tuesday. Col. T. W. Higginson, of Cambridge, presided...
...rewarded, and Mr. Henschel ought certainly to be warmly commended for his excellent programme, though the performance of it at times left much to be desired. The opening number was the Perlude to Wagner's parsifal, of which the first half was well played, the strains of the Parsifal-motif coming out clearly and prominently. Beyond this the spirit of the piece seemed somehow to lose itself, so that the impression of the whole was that the music had gotten the better of the orchestra. The next number, Walther's Preislied, from Wagner's "Mastersingers," was not open to this...