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...producing good theatre is thing more than a goal to Samshak. It is the essence of his whole involvement with the stage. To him, the social import of a dramatic experience is only secondary to its dramatic rightness. Although it may be possible for someone to deduce a social motif in the plays performed by the Atma, Samshak claims no such intention. "We're not carrying any political banners," he stated, "we're just doing the plays that we can perform best...

Author: By Stephen D. Mikesell, | Title: The Atma Cries 'Alarum' | 3/15/1969 | See Source »

...these men's lives, Charity becomes engulfed in romantic cliché and extraneous musical numbers. Romantic ballads (some not originally in the stage version), a marching ode to love, and production numbers concerned with psychedelic religions and swank night clubs simply do not mesh with the picture's original motif. Luckily, most of these songs are splendid in themselves--but the ultimate effect is one of uneasiness...

Author: By Frank Rich, | Title: Sweet Charity | 2/15/1969 | See Source »

...political content is lightweight (contrary to American popular opinion, Godard is anything but the idol of the French student revolutionaries) but it contrasts well with the other-facets of the film. For example, having established a motif of red paint on white walls, the multi-shaded greens of the train and apartment-house assassination sequences make the real world a complex support of Francis Jeanson's assertion that the students are drasticalliy oversimplifying. But the ending replaces conclusive directorial statement with irony, and signifies that Godard didn't know what kind of statement he wanted to make...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

...Krzysztof Penderecki, 35, acknowledges the continuity between Bach and his own St. Luke Passion (1966) by spelling out the master's name in a recurring cantus firmus: B flat, A, C, H (the German notation for B natural). Used by Bach himself in The Art of Fugue, the motif is a traditional tribute that has been paid by composers as diverse as Schumann, Liszt and Webern...

Author: /time Magazine | Title: A Composer for All Seasons (But Especially for Christmas) | 12/27/1968 | See Source »

...psychiatrist and I were posed in the Couch-Chair-Say-The-First-Thing Motif. He was bent over his pad like a dead Hebraic scholar, but his mind and pen were spring and steel, ready to snap...

Author: By Steven W. Stahler, | Title: An Attempt to Clarify What Exactly It Is That Richard Brautigan Says About Trout | 12/17/1968 | See Source »

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